Sunday, November 17, 2019

The Dutch Angle



That's me in the picture. Outdoor cafe. St. Petersburg. The city in Florida, not the one in Russia. I was there, though I didn't want to be. My partner was in the ground. Joe. I figure he felt the same way. Assuming the existence of an afterlife.

Don't ask me. Theology's not my wheelhouse. I'm a detective. Joe is too. Or was. A good one. But not good enough. Giving credit where it's due, Joe was good with Google Calendar. Like diligent. Joe had to be someplace? Joe wrote it down. That's how I knew.

Joe had a reservation here. Today. November 15, 2015. 8:30 a.m., Eastern Standard Time. Joe didn't show on account of being dead. So I showed up in his place. Table for two. According to Joe's calendar, Dutch Schultz was the other guy. Some big proposition. A deal, an offer, a threat, whatever. Dutch didn’t show either. 

But I knew Dutch was in town. Had to be. Everything was cockeyed. It was all Dutch angles, up and down the street. Nobody knows how the bastard did it, but that's what he did. And it's how he made his money. Nice place you got here. Shame if it fell into the Zuyder Zee. Asshole. The coffee kept sliding off the table, but I kept my cool.

A blonde walked up to my table. “Smile,” she said. Who was I to argue? I smiled. She aimed her iPhone at my face. Click.

Then I heard him. To my left, 9 o'clock. The clip-clop of wooden shoes. I didn't look, didn't telegraph. “One more time,” said the blonde. I smiled a second time. She aimed her phone at my face a second time. The gunsel aimed his roscoe at my heart for the first time. That's when I made my move. 

This fancy joint kept the tourists happy by setting their food on fire. There was a four-alarm French pancake right behind me. I grabbed it, and served up extra helpings right in the punk’s face. He screamed and went down like a wet sack of tulip bulbs. I leapt to my feet and kicked him in the ribs. 

Thanks to my upright perspective, I got my first good look at him. Bowl haircut. Blue painter hat, blue painter overalls. He looked like the Little Dutch Boy. Like the one on the paint can.

I saw red, and kicked him again. He screamed again. Chunks of strawberries dripped from his blistered face.

“Stop screaming and start talking! That flaming oil was the fun part. It gets worse if you don’t spill. Who sent you?” 

There was one right answer: Dutch Schultz. I knew it, but I wanted to hear him say it. I poked my pointy Florsheim into his xiphoid process. Hard. Harder.

"Talk, punk! I just got these shoes!"

Little Dutch Boy opened his mouth. Then a bullet opened up his head. My brain did the math. Sniper, from above. Don Cesar, top floor. Dutch playing Lee Harvey Oswald, probably. But I had other problems. 

Screams, commotion. I looked. Right down the street, a dame with a rolling pin and a hat like that broad in The Handmaid’s Tale. Running like hell. In my direction. She was knocking tourists left and right. But that rolling pin had my name on it. Skipping out on the check is not my style. Let alone skip breakfast. It was the most important meal of the day. But today I made an exception. For me, breakfast was over. I started running. The broad didn't stop.

She started her run about a football field away, not counting the end zones. I had a head start. But the broad came on like the Grim Reaper’s mean sister armed with a rolling pin instead of a scythe. She chased me like dirt. And quickly closed the distance until she was right behind me. The Pillsbury Doughboy in a bakeoff contest had better odds than me. I heard that rolling pin go swish. Then I heard her huffing and puffing like the Little Engine That Couldn't. Ha! Lousy sprinter, running out of steam. I pulled ahead, heard her cursing behind me. Right now, that Dutch angle was my friend. I was running downhill, across the street, headed to the bay. I almost made it. It was just too easy. 

Dutch was up to his usual tricks. And he never played it straight. Without warning, the Dutch bastard changed the Dutch angle. The world turned into a crazy Tilt-a-Whirl. And tilted back behind me. Now I'm running uphill. Dutch figured I’d fall on my ass and get a mouth full of rolling pin. Cute. But his timing was bad. And my luck was good. 

My feet were running on air. But I wrapped my mitts around a parking meter and held on like Harold Lloyd. Behind me in the street, a skeletal skater screamed, and took a sharp left turn. He skidded like a stein of Heineken on a greasy bartop, right into Ms. Rolling Pin. The laws of physics were not on her side today. She did a bank shot into an art installation shaped like a barbed-wire donut. Then got stuck in the hole, knocked it loose, and went rolling in the direction of Clearwater. She hit the Chihuly museum like a bull in a China shop, metaphorically speaking. To put it literally, like a dame in a steel torus with a shitload of momentum. Either way, there was a lot of broken glass.

I kept running. The street lurched back the other way. Whee. The bay was downhill again. Thanks to years as a carny, I had a keen sense of balance. I didn’t plant my face in the parking meter. I got to my feet and dusted myself off. No damage. The skater wasn’t so lucky. He windmilled his arms and projectile-vomited into a kid with an ice cream cone. That struck the skater as funny, until he did a backflip down an open manhole. The brat just kept crying. And the street was still tilting. I started hollering.

“Knock it off, Dutch! I’m sick of this Inception shit! I didn’t like the movie, and your remake is even wore!”

That must've hurt his feelings. The street stopped tilting. Now it was on the level. It stayed that way.

Screech of brakes.

A car slamming to a stop. MGB convertible, candy apple red, top down. Beautiful car, high-maintenance. Beautiful blonde driving it. I recognized her. The chick with the iPhone. I figured she was high-maintenance, too. She gave me the eye. Her eye said, “Get in.” Her lips implied a double meaning. A sweet invitation. Or not. 

Salvation or set-up? Accept or decline?

The chick's smile was fading like a rose in one of those time-lapse movies. The invitation was still open. But she didn't have all day. 

OK. Like the wise man said, you make about 5,271,009 decisions in life. This was one of them. So I weighed the pros and cons.

The mystery blonde was an unknown factor. Dutch? Maybe. But her car was as British as bad dental work. 

But “Twilight Zone” was playing from the car radio.

Help, I'm steppin' into the twilight zone
Place is a madhouse, feels like being cold
My beacon's been moved under moon and star
Where ...

Big hit from 1982. Golden Earring. Dutch band.

It looked like a Dutch treat.

But I got in anyway.

Blondie kept the pedal to the metal until we left the nice part of town. Liquor stores, churches, liquor stores, churches. It felt like Centerville. I clenched my jaw and kept my mouth shut. Not a happy boy. She noticed.

"You're welcome."

"Wha ...?"

"I just saved your ass. A 'thank you' would be nice."

"Remind me to send you a card."

"What's your problem, asshole?"

"You, that's my problem. Who sent you?"

“Joe. We were lovers."

"Sure. I guess you know a lot about him, huh?"

"I guess."

"You happen to know who dropped that can of Dutch Boy paint on his head?"

"No. But I know who's responsible."

"Who?"

"Who the hell do you think?"

She closed her eyes and pounded the steering wheel.

"Schultz, goddamnit. Dutch Schultz! And I'm going to kill that son of a bitch!"

Blondie whipped the steering wheel viciously, accelerated, crossed the double yellow line, and kept driving in the wrong lane with her eyes closed. A bus headed in the right direction was about to make an unscheduled stop at the point where the windshield met our faces. Driver and passengers screamed and waved their hands like kids on a roller coaster. Blondie screamed with rage.

"Fuck," she said. "Fuck!"

At the last possible second, Blondie opened her pretty blue eyes, got it together, and got back in her lane. The bus kept going and Dopplered past us. What's your fu Nobody died.

Tears were leaking from her pretty blue eyes, now open. Poor thing. Boo-hoo-hoo.

This was personal, get it? A lover's revenge. Sure, sweetheart. Cute story. Screenwriters call it "The Hook." Grifters call it "The Tale." I didn't buy it, but Blondie stayed in character.

She ground her teeth, ground the gears, and whipped into a parking lot. 

"We're here," she snarled. "Get out."

Hotel. A pimp's idea of Art Deco in the 1930s. A syphillitic pimp. With a traumatic brain injury. The place must've looked shitty when it was new. Now it looked worse. "PARADISE INN" said the flickering neon sign. It was false advertising. 

Blondie stomped inside. I followed. Then

Next thing I know, I'm in bed. The room was as sleazy as a three-star roach motel. Blondie came in without knocking. Bad manners, but I kept it to myself. Like the convertible, her top was down. She slid into bed. We smooched like teenagers. Her fingers danced across my chest right into the nightstand. As smooth as The Amazing Randy, she pulled out a chrome 45. Ta-da! But I knew this trick. I grabbed her wrist just like the guy in that “Twilight Zone” video. In fact, it was exactly like that video. The uncensored version, natch. And I knew what would happen next. First the kicky dancers. Then a hypo full of dream juice. After that, it’s me in the spotlight. On stage performing for clones. Then the firing squad.
















It hit me like a slap to the face. Or she did. A lot.

"Snap out of it."

"Wha…"

“You’re hallucinating.”

“How do you know?

“'Cause I saw the desk clerk stick a needle in your arm.

“Maybe you’re hallucinating.

“Shut up. What’s the first thing you remember?

“I’m in a crib. I’m standing up. My mom …

“No, you idiot! Before you passed out.

Yeah. Let's take a trip down memory lane. I wasn't in the mood. I leapt out of bed and rearranged the shitty hotel furniture like Keith Moon after a lousy gig.

“Storytime's over, sister! It's time to get real! What’s your name?

“Katy.

“How do you spell it?

“K-a -t -y.

“Bullshit. It’s K-a-t-j-e, right? You’re Dutch, right? Right?

I grabbed her wrist. But she was tougher than the chick in the video. She flipped me like an overpriced condo. Pinned my arm back. It hurt. But kind of in a good way.

“Yeah, asshole. I’m Dutch. My name's spelled K-a-t-j-e. So what?”

“You work for Schultz, that’s what. You all do! 

“I’m a Green, dumbass. We hate Schultz. 

“For realsies?

“For realsies. You don’t know shit about Dutch politics, do you?

She let me go. 

“No. Apparently, I don’t know shit about shit. What the hell is going on?

Truth and beauty time. I knew Katje was going to tell me. She looked me in the eyes with utter sincerity and turned to smoke.

The hotel room tilted. I slid on my ass and flew out the window.

And landed in my seat in that overpriced café in St. Petersburg. That was where. When?

Checked my phone. November 15, 2015. 8:30 a.m. Eastern Standard Time.

Dutch Schultz was sitting across from me having a laugh at my expense.

"Very funny, Dutch." 

"I think so." 

He smiled. I didn't. Like a chump, I asked two stupid questions.

"What the hell is going on, Dutch? What’s your angle?

"In your little world? Or are you curious about the big picture?

“Ah, to hell with it. Give me the big picture. What is it?"

"Climate change, what else? Not the reality. The implications. What does it mean? In the decades ahead?"

"Rising sea levels."

"Precisely. How should we respond?" 

"We? Like the two of us?

"Humanity, of course.

"Oh. Uh. We kick the fossil fuel habit. Alternative energy, whatever.

"Which means what? Nuclear power?

"Hell no."

"Solar?

"Nah. With the world on fire, that ain't gonna help."

"Then what?"

"Windmills, mostly."

"Exactly. A Dutch speciality, hmm?"

The smug son-of-a-bitch smiled and sawed into a muffin that was shaped like a baby's head.

And reboarded his train of thought.

"Well ... let's assume a best-case scenario. Humanity sees the light, embraces alternate energy, and power-generating windmills start spinning across the globe. That wouldn't stop climate change, would it?

"No. Slow it down maybe. But sea levels will keep rising."

"Sadly, yes. So ... how do we prevent our coastal cities from drowning? What's humanity's best response?"

I could see where this was going. I didn't want to go there.

"Dikes," I snarled.

"Dikes, yes. Who are the leading experts in that field?

"You guys again. The Dutch. I get it. But where do you fit in? And what do you want with me?

"Isn't it obvious?

He laughed. Then his head turned to pink mist.

Jules Winfield was standing there. Holding a briefcase in one hand and a Walther PPK in the other.

"Sorry, man. But somebody had to end this motherfucking sketch. Let's blow this popsicle stand.

"Fine by me."

I left without paying the check.

We made the flight to Amsterdam just in time.

Thanks and a hattip to Henry Beard and Christopher Cerf for their "Americans United to Beat the Dutch" piece in the April 1973 "National Lampoon." The anti-Dutch slurs are for comedic and parodic purposes only, and reflect the opinions of a fictional character, not the author. No insult to the Dutch people is intended. The rip-off is on purpose.


Friday, November 8, 2019

The Ballad of Chore Boy






EXT, SHIT-KICKING TEXAS TOWN - DAY
Kenny Rogers walks up, kicking shit and holding a guitar.

Kenny Rogers: Hi. I’m Kenny Rogers. You may not recognize me after all that plastic surgery, but I swear I’m telling the truth. Anyhoo. (strums guitar) This here’s the story of Chore Boy. I grew up with Chore Boy back in Ratsack, Texas. Chore Boy took a shine to everybody. But Boss Pigg and his goons never took a liking to him.

INT, REDNECK BAR – DAY
The bell at the front door dings. Chore Boy enters, delivering boxes of scrubbing pads. Boss Pigg is behind the bar wiping glasses. He turns and gives him a dirty look. The bar is filled with the Boss’ Goons. They stop talking, waiting to see what goes down.

Boss Pigg: Well looky here. If’n it isn’t little Chore Boy. Long time no see, Chore Boy.

Chore Boy nods.

Boss: Say, I got a chore for you. Right here. (grabs groin)

Goons laugh.

Chore Boy: Where do you want the package?

Boss: Say, I got a package for you. Right here. (grabs groin)

Goons laugh.

Goon: That’s real original, boss. Where do you come up with these things?

Chore Boy: (setting package on table) I don’t want no trouble.

Boss: He don’t want no trouble.

Goon: That’s bad English, boss.

Boss: Shut up! Like I was saying, this here’s your lucky day, Chore Boy. You ain’t up for the chores I need. So guess what? I done fetched me … Chore Girl!

Boss reaches down and pulls her up into sight from behind the bar. He’s grabbing her by the back of the hair. Shaking her cruelly.

Chore Girl: Help me, Chore Boy!

Boss: Well, it looks like you two already know each other. Well, I’m about to make my acquaintance …

Chore Girl: Help!

Boss: My intimate acquaintance. You know what I’m saying, Chore Boy? (shakes her viciouslyChore Boy?

Goon: Duh, he turned your back on you, boss! He’s walking away!

Boss: Let him go. Coward like that. Our evening's entertainment might offend his delicate sensibilities.

Chore Boy reaches the door. Stops. Just stands there with his back turned.

Boss: What the hell are you doing? 

Goon: Duh. He’s locking the door, boss.

Boss: Well ain’t that funny. There’s six of us and one of you. You think you …

Chore Boy turns.

EXT, BAR - DAY
Sounds of beating, screaming and mayhem.

Kenny Rogers: Chore Boy became Chore Man that day. (strums guitar, starts singing) "Everyone considered him the coward of the kitchen ..."

Sound: (OS) A series of electronic burbles and high pitched whines. It goes on for 30 seconds.

Announcer: (OS) This has been a test of your emergency warning system.

Kenny Rogers: Well, that was The Ballad of Chore Boy. I hope you folks enjoyed it as much as I enjoyed getting paid. (tips Stetson hat) Good night.

Monday, September 23, 2019

Frankenstein Rhapsody











x
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(to the tune of Queen's "Bohemian Rhapsody")

Is this real life?
Is this just fantasy?
Caught in landslide,
No escape from reality.

Me open eyes,
Look up to skies and see,
Me just poor Monster, me need no sympathy,
Because me easy come, easy go,
Little high, little low,
Any way wind blow, it not really matter to me, to me.

Doctor, me just kill girl,
Me drop her in well,
Not on purpose, but she fell.
Doctor, life had just begun,
But now peasants are chasing me away.

Doctor, ooh,
Didn't mean to kill your wife,
If me not back again this time tomorrow,
Carry on, carry on as if nothing really matter.

Too late, my time has come,
Sends shivers down my spine,
Bolts aching all the time.
Goodbye, stupid peasants, me got to go,
Gotta leave you all behind and face truth.

Doctor, ooh (any way wind blow),
Me not want die,
Me sometimes wish me not wake up on slab.

I see a bigass Monster on the fritz,
Frankenstein’s creation, putting on the Ritz. 
Thunderbolt and lightning,
Very, very frightening me.
(Polidori) Polidori.
(Polidori) Polidori,
Me so sorry.
Magnifico-o-o-o-o.

Me just a Monster, nobody love me.
He’s just a Monster from a laboratory,
Let’s hunt him down, make him feel sorry.

Easy come, easy go, will you let me go?
Bismillah! No, we will not let you go. (Let him go!)
Bismillah! We will not let you go. (Let him go!)
Bismillah! We will not let you go. (Let me go!)
Will not let you go. (Let me go!)
Never let you go (Never, never, never, never let me go)
Oh oh oh oh
No, no, no, no, no, no, no
Oh, Igor, oh Igor (Tell Doctor, let me go.)
Mary Shelley has devil put aside for me, for me, for me.

So you think you can stone me and spit in my eye?
So you think you can leave me to die out on ice?
Oh, Doctor, can’t do this to me, Doctor,
Just gotta get out, just gotta get right outta here.

(Ooooh, ooh yeah, ooh yeah)

Nothing really matter,
Anyone can see,
Nothing really matter,
Cause there going to be a sequel
For me.

Any way wind blow.

Friday, September 20, 2019

Adolph Hitler, comedian

INT, Comedy Club, Berlin, 1933
Adolph Hitler walks on stage and takes the mic.

Adolph: Ja ... how many Germans are here tonight?

The Crowd ignores him, talks over him.

Adolph: Did you not hear me? 

The Crowd ignores him, talks over him.

Adolph: Then I shall speak louder. (shouting) How many Germans are here tonight?

Heckler: How many assholes?

The Crowd titters.

Heckler. I'm counting at least one.

The Crowd busts a gut.

Adolph: Stop laughing at me! (to the Crowd) I asked you before a question. I shall now repeat it for the third time! Who here is German?
Heckler: Who here gives a shit?
Adolph: Stop laughing at this man! 
Heckler: So ... where are you from, Charlie Chaplin?
Adolph: Austria! And my name is not ...
Heckler: Australia?
Adolph: Nein! Austria! Austria!
Heckler: Whatever. Either way, you're no freaking German, "Charlie."
Adolph: Nein! Germany is a race, not a ...
Heckler: Race? (turns over table) You wanna race? OK! Let's race!
Adolph: No, this is not what I ...
Heckler: (to the Crowd) OK, people. That asshole's the finish line. Aim for the mustache! Go!

The Crowd rushes the stage.

INT, MANAGER's Office

Hitler sits, bloody shirt, black eye. A piece of his mustache is torn. The Manager behind his desk regards him skeptically.

Manager: So, Mr. Schicklgruber ...
Hitler: Stage name. Please.
Manager: Fine. (sighs) Listen ... Adolph. Let's get real here. You're just not funny, man.
Hitler: No! That is a lie! I am funny! I am funny as an act of will!
Manager: No, you're not, kiddo. Listen. Why do you even want to do comedy?
Hitler: I ... I have a fear of public speaking.
Manager: In your case it's justified.
Hitler: (standing up in a rage) Are you insulting me?
Manager: Big time. Sit down.

Hitler sits. Suppresses a sob.

Hitler: As a professional man, you must understand my problem, hmm? I know you are right. I am not the funny man. But I sincerely want to be funny! How can I learn?
Manager: Learn? (scoffs) Listen, baby. You either got it or ...
Hitler: How can I learn???
Manager: OK, kid. I'm not supposed to tell you this but ... (whispering) Here's an inside tip. Try improv.
Hitler: What is this "improv" ...?
Manager: You make shit up and stay loose in the moment. No judgement, no control, no thinking. It's just what the comedy doctor ordered, baby. 
Hitler: Are you the comedy doctor?
Manager: You better believe it, pal—and here's my prescription. (hands Hitler a business cardJust go to this club. They'll teach you all the tricks. And your standup dreams will all come true.
Hitler: Ja ... (looks at card suspiciously) Are there Jews here?
Manager: In show business? C'mon.

Hitler grabs the Manager's hand, pumps it furiously.

Hitler: I can't thank you enough, sir. You shall not regret this!!

Hitler leaves. The Manager wipes his hand on his pants. His Secretary pops in.

Secretary: Improv? 
Manager: Yeah, that dive by the Bundesstrasse.
Secretary: They'll eat him alive, you know.
Manager: From your lips to God's ears.



Tuesday, August 20, 2019

"All in the Family" redux

INT, BUNKER HOUSE, LIVING ROOM - DAY
Archie and Michael in two chairs. Alone. Talking.
Michael: We agree about more than you think, Archie.
Archie: The helluva it is, you’re right.
Michael: What?
Archie: Think about it, meathead. I’m a union man. I voted for Roosevelt and Truman, you snotnose college punk. I’m more liberal than you in a lotta ways.
Michael: You voted for Nixon.
Archie: Yeah, I did. Because I’m not a liberal.
Michael: Why not?
Archie: I hate liberals.
Michael: Why?
Archie: Superior attitude, that’s why. “Recycle. Be happy when your son puts on a dress. Don’t say this word or that word. Get out of Vietnam! Do this, do that.” It never ends with you liberals.
Michael: What never ends.?
Archie: The nagging, that’s what.
Michael: Nagging? Oh that’s great, Archie. You’ve reduced my concern for peace and social justice to “nagging.” Bravo. I’ll shut up from now on.
Archie: No, you won’t. It’s OK. You’re always telling us what to do, meathead. You’re a liberal, you can’t help it.
Michael: No. I stand up for my beliefs, same as you.
Archie: “Same as me.” You think I’m stupid don’t you?
Michael: What? What are you talking about?
Archie: “What are you talking about.” (scoffs) You know what I’m talking about, meathead. Can’t you be honest for once?
Michael: “For once…?” Come on, Archie! When have I not been honest?
Archie: Yeah, la-di-dah. Get a load of Saint Meathead, here. You cannot tell a lie.
Michael: You’re projecting, Archie.
Archie: Oh yeah?
Michael: Yeah.
Archie: So what am I projecting?
Michael: I have absolutely zero idea, Archie.
(They both burst out laughing)
Michael: Yeah … Listen, Archie. (laughs) I still don’t know what you’re talking about. Seriously. I’m in the dark here. (laughs) Honestly.
Archie: (laughs) “Honestly” my ass.
Michael: What? Come on, Archie. Where’s this hostility coming from?
Archie: Where? (lights cigar) See? That’s the trouble with all you liberals.
Michael: What liberals? I’m counting one liberal in the room, Archie. It’s just you and me.
Archie: That’s a smart thing to say, Michael. Really smart. See … I’d never think of that.
Michael: I never said …
Archie: No. But you think I’m stupid, right?
Michael: No! J …
Archie: Just uneducated maybe? Unenlightened? Prejudiced?
Michael: You’re twisting my words around, Archie. I don’t think you’re stupid.
Archie: OK, fine. I’m not stupid. You say so, who am I to argue?
(They shake hands. Michael breathes a sigh of relief.)
Archie: You don’t think I’m stupid. But you do think you’re smart.
Michael: Arggggh!!
Archie: Come, on Michael. Admit it. It’s nothing to be ashamed about. You think you’re smart, right?
Michael: Right.
Archie: “Right.” Spoken like a typical liberal. I rest my case.

Saturday, August 10, 2019

The Wizard of Oz. What was he thinking?




Kansas, early 20th century. You’re a balloonist and a hard-working circus professional. Due to an unfortunate balloon malfunction, you wind up in the Land of Oz—a weird alternate reality where magic actually works. Power in this cockamamie place is divided between two good witches and two bad witches. Seeing as how you’re not from around here, your position is insecure. So you start thinking fast. And you adapt, like you always do. With the aid of pyrotechnics and projectors, you inform the locals that you’re a powerful wizard. The local yokels buy the grift, and they put you in charge of the whole place. You spend your time hiding out in a castle and keep your head down.
Then one day, this teenage farm girl shows up from Kansas. Dorothy, Dolly, something like that. With her dog, yet, and three shell-shocked rejects from the Land of Oz. Believing you’re a powerful wizard and all that crap, Diana or whatever asks you to send her home. The other specimens have their own requests. Truth is, you can’t help them. Hell, you can’t even send your own sorry-ass home. You can't admit that s***, obviously. It’d blow your whole act. But that’s the least of your problems. Seems like the Wicked Witch of the West has a beef with these chumps. Unlikely as it may seem, this cute little girl in pigtails killed her sister. The green-skinned Witch saw red. And followed these mouth-breathers all the way here trying to kill them. Long story short, Dottie or Debbie’s brought the Wicked Witch of the West to your doorstep. What to do?
You know what to do.
After a terrifying pyrotechnic display, you say, “Sure, kid. I’ll help you. But you have to do something for me first.”
That something?
“Bring me the broomstick of the Wicked Witch of the West.”
Kill the b****, in other words. Morality aside, the prospect of success is highly unlikely.
It’s basically liked saying, “Bring me Stalin’s machine gun. Bring me Hitler’s luger.” You get the idea.
Once they get it, these rubes will run screaming. They’ll come back with a Munchkin mob to string you up. Had to happen someday.
But the suckers buy it. They head out after the Wicked Witch armed with a bug spray gun, a net, and a peashooter.
Problem solved.