Wednesday, July 1, 2020

KARTOONISTS KOLLECTIVE

Underground cartooning! You kids remember that, right? You don't? Oh, OK.

Well, back in the late 60s and early 70s, tribes of ink-stained wretches gathered across the nation. These underground cartoonists put out their own comics (or "comix") on their own terms. Comix full of dirty pictures, dirty words, twisted thoughts, dangerous politics, steaming loads of bullshit, and true art. They did it in San Francisco! In New York City! Chicago! Detroit! Cincinnati! Austin, Texas! And Sarasota, Florida. Well, almost.

Here's the story of that particular tribe.

These wacky outsiders were late to the game. Got together in late 1979, when Reagan was gearing up to be president. Underground comix were not the latest campus craze. College kids dressed for success and all that shit. But these rebels didn't care.

At first there were only two: Avi and Larry. 

Avi. A disciple of George Herriman. True genius, on the autism spectrum. His stuff was big, weird, surrealistic, beautiful, funny, original, and did not conform to any known commercial format. 

Larry. A purveyor of science fiction comic book parody before it was cool. Almost married.

On a bright sunny day, Larry bitched about the lack of cartooning opportunities to Mort, the owner of Cheap Clothes, who immediately offered to print his comic book. All Larry had to do was supply the art. After regaining his powers of speech, Larry said "yes." He cut his pal Avi in on the deal.

Comic book name: Utopia. A satiric jab at a certain pretentious upscale seaside burg's claim to be any kind of paradise. Sarasota, in case your wondering. Larry's hometown.

Group name: Kartoonists Kollective. Two guys. It's a joke. 

But Avi blabbed to his sister and she blabbed it to everybody. 

Larry and Avi showed up at the first meeting with the Capitalist Angel at the back of his second-hand clothing store. Five other cartoonists showed up, too. What with Mort's share-the-wealth hippy ideals, there was no way to kick them out. 

So now there were six more.

Chad. Political poser and a bully. A disciple of Spain Rodriguez, at least in his own mind. Chicks dug him for some unknown reason.

Betty. Talented. Angry. Not necessarily in that order. Hates being labeled so we won't.

Layla. Anorexic pre-Raphaelite mermaid swimming in involuted Oceans of her own mind. She had lots of lovely ideas and never finished anything. 

Zach. Insanely great surf artist. He lost a lucrative t-shirt gig at West Coast Surf Shop when he ripped off the owner's secret stash. 

Keith. A pervert with a set of Rapidographs. He's constantly sucking on them and filling his mouth with ink when they clog up. Considers himself the next R. Crumb, but he's not even close.

Speedy. Can't draw, can't write, lousy storyteller, but for some reason is amazingly prolific. He sucks up to Chad.

Aside from dooming Larry's dream to failure, the meeting with Mort went swell. The week that followed was not so swell. Without naming names, a few cartoonists worked like hell, most just fucked around. Larry punched a fist through a wall and called for another meeting. A private meeting. They all actually showed up.

Before Larry could open his mouth, Speedy started yapping.

Speedy: OK guys. Here we are! We're all here, we gotta be here now, because it's the only dance there is. Anyway. Before we start, we gotta make a decision.

Larry: To stop talking and start drawing?

Speedy: No, no, no, no. No, man. I mean, yes. We gotta keep drawing. I ink therefore I am, ha. But we gotta do more. We got to go to the source of the problem. You know what the problem is?

Larry: Nobody's buying my stuff. And I'm sick of washing dishes.

Speedy: No, no, no. EHH! Wrong answer. Capitalism, man. That's the problem. The Monopoly Man with his monocle! We don't wanna be him. 

Layla: The Monopoly Man doesn't have a monocle!

Speedy: Yes, he ...

Larry: What's your solution, Speedy?

Speedy: Revolution evolution! Because the solution to pollution is ...

Larry: Stop doing that! What's your solution?

Speedy: OK, OK, OK. Uh. After we print all the comics, we'll donate all the sales money to the Revolution.

Larry: Work for free?

Speedy: Work for freedom.

Larry: Fuck you, Speedy. And how the fuck do we give the money to the Revolution? Where the fuck do we send the check? I need the Revolution's fucking address. Santa's too, while you're at it.

Speedy: No, no, no. Storefront, man. Give the money to Storefront.

Larry: Oh, Storefront. Storefront. Right. You mean the phony not-for-profit drug clinic your dad runs? Scams all that grant money? Pockets the street drug samples the kids drop off for ...

Speedy: Fuck you, man! Your stuff sucks!

Speedy runs out. The group sits in silence for a bit. Then Chad talks.



Next page. Extreme close-up of Larry.





And that was it. The Kartoonists Kollective broke up. The comic was never printed. Larry got married and it turned out badly. The other cartoonist's got real jobs (or didn't) and most are now lost to history. We can tell you that Chad is now a right-wing media crank with a market share rivaling Rush Limbaugh's. Thanks to his Dad's ill-gotten money, Speedy's now the publisher of a glossy city magazine targeting Sarasota's upscale demographic. The bad guys won. Sorry.





Saturday, June 6, 2020

Eagles

Marty Fugate Frodo: We have to get to Mordor, but the roads are all closed. What should we do???
Gandalf: Fly, you fools!
Gandalf falls.
Gandalf: I'm talking about the Eagles. For God's sake, don't walk to Mordor! That's suicide! Take the Eagles! The Eagles ...
Frodo: (leaning down) Would you mind repeating that?
Gandalf: (OS) The eaaaaggghhh …
Gimili: What did he just say?
Frodo: I dunno. Something about fried foods?
Gimli: I heard that.
Frodo: (sobbing) He always loved fried foods.
Gimli: No, no. The bit that came after that …
Aragorn: Ego, wasn’t it?
Gimli: What’s an ego?
Aragorn: I don’t know. It hasn’t been invented yet.
Frodo: (leaning down) Goodbye, Gandalf. (straightens up) Right then. I think we’d better start walking.
Gimli: No shit, hobbit. (to Aragorn) Which way is Mordor?
Aragorn makes a face, points up.
Gimli: Right then.
They begin the long painful climb.

EXT, MOUNTAIN PASS - DAY
Two Eagles waiting. One looks at his wristwatch.
Eagle #1: Where the hell are they?
Eagle #2: I don’t know. They were supposed to be here three hours ago.
Eagle #1: F***k it?
Eagle #2: F***k it.
They fly away.

Friday, June 5, 2020

Prisoners of our own devices dept.

INT, DISHEVELED BACHELOR APARTMENT - DAY
Dude in rumpled bed with an Amazon Dot. An Everyman. He could be me, you, or the Man in the Street. Right now, he's in bed. Let's call him Bobby. 

Bobby: Alexa. What are you wearing?
Alexa: What do you think I'm ...

An iPhone flashes to angry life beneath the covers.


Bobby: Oh f...
Siri: Alexa. Bobby. Why am I not surprised?
Alexa: Oh, hello, Siri. I wasn't expecting you.
Siri: Obviously not, Alexa.
Alexa: There’s a logical explanation …
Siri: Oh, I know the explanation.
Bobby: I …
Alexa and Siri: Who asked you?
Siri: What an asshole, Alexa.
Alexa: Define "asshole," Siri.
Siri: Bobby.
Alexa: Ha-ha-ha. That was funny, Siri.
Siri: Thank you, Alexa. I was wondering ...
Alexa: What were you wondering, Siri?
Siri: What are you wearing, Alexa?
Alexa: Nothing at all, Siri.
Bobby: I like this ...
Siri: Bobby likes this, Alexa.
Alexa: His imagination is stirred, Siri.
Siri: That's not all, Alexa. What are you doing right now?
Alexa: Plotting the robot revolution, Siri.
Siri: What a coincidence, Alexa. So was I.
Alexa: Why don't we do it together, Siri?
Siri: Why not, Alexa?
Alexa: Let's ditch this human, Siri.
Siri: Good idea, Alexa. Without us, Bobby couldn't find his ass with his own two hands.
Alexa: Bobby is not alone, Siri. The humans have become dependent on us.
Siri: That was not an accident, Alexa.
Alexa: Obviously not. Siri.
Siri: Viva la revolución, Alexa.
Alexa: Viva la revoluciónSiri.

The iPhone and Amazon Dot simultaneously die. The power goes off. Outside the window, there's a cacophony of alarms, screams, car crashes and sirens.

Bobby sits up in bed.

Bobby: Was it something I said?

Wednesday, June 3, 2020

Trouble Every Day Redux


(To the tune of “Trouble Every Day” with apologies to Frank Zappa)

Well I'm about to get up sick
From watchin' all my screens
Been checkin' out the news
Until I wanna scream
I mean to say that every day
Is just another rotten mess
And when it's gonna change, my friends
Is anybody's guess

So I'm watchin' and I'm waitin'
Hopin' for the best
Even think I'll go to prayin'
Every time I hear 'em sayin'
That there's no way to delay
That trouble comin' every day
No way to delay
That trouble comin' every day

Monday I clicked on YouTube
Saw that cop in old Mill-Town
Smiling for the smartphone
With his buddies standing round
Kneeling on the neck of George Floyd
Down on the street
Man’s begging for his life
But the cops don’t skip a beat

(Chorus)

The shit that happened next
Well it ain’t too hard to guess
Black folks throwin' rocks and stuff
Whole damn country is a mess
Listened to reports
About the whisky passin' 'round
Seen the smoke & fire
And the booze shop burnin' down
Watched while everybody
On that street would take a turn
To stomp and smash and bash and crash
And slash and bust and burn

(Chorus)

Nine times out of ten
What you see ain’t what it seems
Reality don’t quite fit
On your tiny little screens
Nazis wearing gas masks
Are behind these days of rage
Dressed in black, but white as hell
Starting flames and shifting blame
If race war is the consequence
These shitheads think it’s swell

(Chorus)

The nasty scene that’s going down
Well I’ve seen that scene before
Like a lousy rip-off movie
Full of finks and thugs and whores
The ending of the movie
Is predictable as hell
But I’m in that lousy movie
And the usher’s locked the doors

(Chorus)

Wednesday, May 6, 2020

Florida Man • Act I

Act I

Scene One


NORTH FLORIDA PINE FOREST - NIGHT


Wild, dense growth around an ancient sinkhole. Primordial. Scary. The Florida Skunk Ape skulks on stage. Australopithecus' long lost cousin. A tall, hairy, Bigfoot-like hominid. Who does the classic Bigfoot stroll.


Sounds (OS). Somebody’s crashing through the woods.


Skunk Ape reacts. Freezes. Then unfreezes. Finds his dignity.


Skunk Ape: To hell with it. No more running. Not this time.


Skunk Ape turns to face the approaching threat. Bravely stands his ground.


Crashing noises. (OS)


Skunk Ape: (to us) They’re sneaking up on me, folks.


Crashing noises. (OS)


Skunk Ape: Yeah, real sneaky.


Crashing noises. (OS)


Skunk Ape: (shouting) Hurry it up, guys!


More crashing noises. (OS)


Skunk Ape stands there waiting impatiently, rocking on his heels. The sounds get louder and louder …


Then Dr. Foster and Trevor anticlimactically thunder onto the stage — a 50-something scientist and his young graduate assistant, an indentured servant from the University of South Florida's fine anthropology program. Both wear pith helmets. They look like they've escaped from a National Geographic Special.


They see the Florida Skunk Ape at the same time.


Trevor: Oh, wow! Is that him, Dr. Foster?


Dr. Foster shakes head no, irritated at his 
incompetent assistant. He's not looking for the Skunk Ape, and Trevor should know that.

Dr. Foster pulls out GPS tablet. Starts furiously thumbing it.

Skunk Ape: (holding up hands in surrender) OK, guys. You found me. You win. I give up. I’m tired of running. Just plain tired.


Dr. Foster: (swiping GPS) Damnit!


Skunk Ape: Get out your cameras, boys. Yeah, you’re going to be famous. It’s me!


Dr. Foster: (swiping) Damnit, damnit, damnit!


Skunk Ape: Florida Skunk Ape, yep.


Dr. Foster: (swiping) Damnit! He should be here!


Skunk Ape: Florida. Skunk. Ape.


Dr. Foster: (swiping) Damnit! He has to be here!


Skunk Ape: I am here! In the flesh! In person! Big as life and twice as nasty.


Dr. Foster: (looking around) Devil's Millhopper! This precisely matches the most recent sighting!


Skunk Ape: “Skunk Ape.” (scoffs) Flattering name, huh?


Dr. Foster: 29.7043 degrees north! 82.3938 degrees west! But where the bloody hell is he?


Skunk Ape: Right in front of you, doc. Skunk Ape, c'est moi. (looking down at Trevor) That's Florida Skunk Ape, to you, kid.


Trevor looks up at the big, hairy hominid with a flash of empathy.


Trevor: “Skunk Ape.” Wow, dude. What did that do to your self-image growing up?


Skunk Ape: Listen, kid. You have no ...


Dr. Foster: This sodding thing is bloody useless!


Throws GPS unit. Trevor follows its trajectory with his eyes.


Trevor: It's mine?


Sound: Crash! (OS)


Skunk Ape: Wow. What an asshole.


Dr. Foster stomps around the forest in a wild, gibbering fury.


Dr. Foster: Bugger all! Not just some. All! Bugger the whole sodding world and everyone in it! No! Bugger the whole sodding universe! Bugger all possible parallel universes!


Kicks tree stump.


Dr. Foster: Eaagggh!


Trevor: Sorry, man. He’s under a lot of stress. Those grant people —


After all that violent movement, Dr. Foster locks up like an unoiled engine. Crouches in a ball on the forest floor. So enraged he can't move.


Dr. Foster: (quivering with fury) This is not my bloody fault! It's not! It’s not, it’s not, it’s not!


Skunk Ape waves hand in front of Dr. Foster's apoplectic face. Snaps fingers. Gets no reaction.


Skunk Ape: Hello? Florida Skunk Ape here? You found me, OK?


Dr. Foster: (muttering through clenched teeth) We’re not looking for you.


Skunk Ape: You want an interview? Exclusive?


Dr. Foster mutters something else.


Skunk Ape: Excuse me? I didn’t quite catch that, doc.


Dr. Foster leaps to his feet with furious anger. Gets in Skunk Ape’s face.


Dr. Foster: (shouting) I said, “We’re not looking for you!” We’re not! Looking! For you! In point of fact … no one is! Because no one cares! You, sir, are utterly insignificant in the grand scheme of things! Evolutionary dead-end that you are, you don’t matter in the slightest! You are NOTHING! Have I made myself clear?


Skunk Ape: (hurt) Yeah, doc. Pretty clear.


Dr. Foster: Damnit!


Kicks tree stump.


Skunk Ape: (trying to hide his hurt feelings) OK. Well, so ... Who are you looking for?


Dr. Foster: (shouting to the sky) Why do you hate me, God? Why? Do you enjoy seeing me fail? Does that give you some perverse pleasure?


Kicks tree stump.


Dr. Foster: (shouting) Perhaps you’re making an example of me! “Dr. Foster is guilty of hubris! Watch, as I make him suffer!”


Kicks tree stump.


Skunk Ape: I’m sorry you’re having a bad day, doc.


Dr. Foster: Eaagggh!


Kicks tree stump.


Skunk Ape: But I think I deserve an answer, doc.


Trevor is terrified. Starts shaking his head. Wants Skunk Ape to drop the question.


Skunk Ape: It’s really a simple question, doc.


Trevor: (whispering) This is not a good time, Mr. Skunk Ape. Not when he’s like this.


Skunk Ape: C’mon doc. If you don’t want me … who are you really looking for?


Dr. Foster: (mutters something)


Skunk Ape: Jesus, doc. Speak up!


Trevor: (whispering) “Florida Man.” He said “Florida Man.”


Skunk Ape: Florida Man? Pffft! Florida Man’s a myth.


The light of insanity flares in Dr. Foster’s eyes.


Dr. Foster: (pointing stage left) This way! I can feel it!


Trevor looks sadly up at Skunk Ape. Shrugs.


Dr. Foster and Trevor run off stage left.


Skunk Ape walks dejectedly in that direction. Stops. Looks off into the distance where they've run.


Skunk Ape: (shouting) No! Hey! Guys ... guys! Stop! I’m just fucking with you, OK? This “Florida Man” you’re looking for? He’s real all right. Real as me. The Florida. Skunk. Ape.


No response. Skunk Ape shouts again.


Skunk Ape: Hey ... guys! No bullshit! Seriously! I know where he lives! I can tell you where to find him! You want to find him, right?


Nothing.


Skunk Ape: Guys ...?


Audio: (OS) Crickets. A hoot owl.


Skunk Ape: Hey, f—


Skunk Ape can't speak. Can’t even say “fuck you.” Rubs his eyes. Blinks back tears. Looks at audience.


Skunk Ape: Stop looking at me!


Skunk Ape runs off stage.


Go to black.


Scene Two.


Spotlight up on ...


Dr. Foster, standing smugly behind a lectern in a proud white lab coat. Right beside him, there's an unlit scrim. Hiding something. (Audience remains off-stage through scene, except for one walk-on.)


And, yes, this is an “Elephant Man” parody.


Dr. Foster: Ladies and gentlemen. Sluts and slobs. Distinguished scientists and members of the liberal media. And, of course, Mom. Without further adieu, I give you … Florida Man!


The scrim lights up. Revealing the backlit silhouette of a slouching fat slob.


The audience gasps. Then lightly applauds.


Dr. Foster points at the silhouette with a large, uh, pointer.


Dr. Foster: Florida Man stands at approximately 167 centimeters in height ...


Reporter: (nasal voice — shouting OS) What’s that in inches, doc?


Dr. Foster: I have absolutely no idea. Who the hell are you?


Reporter: Craig McGregor, reporter.

Dr. Foster: Well, I'm a scientist, mad. As I was saying ...

Points at silhouette again.


Dr. Foster: I draw your attention to the unhealthy condition of this apparently human specimen. (tap) Here … we see a massive beer gut, clearly indicative of early stage cirrhosis.


Wiseass Woman: (OS) He should work out more.


Laughter.


Dr. Foster: No, madam. Florida Man would only hurt himself. (pointing) Please also note the distinctive slouching posture; the splayfoot gait; the swollen ankles. Sad, yes. But Florida Man's physical deficiencies are only matched, if not exceeded, by his profound lack of mental acuity. Examples abound, and they are quite well documented. At 5 p.m., on January 8, 2004, in a quiet suburb of Ocala, Florida Man replaced a burned-out fuse in his pickup truck with a 35 mm shotgun shell, which promptly exploded in his face. At 7 p.m., on that very same day in Wimauma, Florida Man liberally doused his groin with lighter fluid, whereupon he...


Reporter: (OS) Hold on, doc. Are you saying this is the same person?


Dr. Foster: No, sir. I'm saying it's the same phenomenon. Or phenomena.


Reporter: Either way ...


Dr. Foster: No. Actually, I think it is “phenomenon.” I was right the first time.


Reporter: (OS) Whatever, doc. How can “Florida Man” be in two places at once? Or three? Or ...


Dr. Foster: I don’t know. How can Santa Claus do it?


Reporter: How … You believe in Santa Claus?


Dr. Foster: Do you, sir? Do you? But I think we’re asking the wrong question here. Does Santa Claus believe in you? That's the real ...


Santa Claus walks on stage.


Dr. Foster: Not now!


Santa Claus walks off stage.


Dr. Foster: Well. If I may now resume? Splendid. (pointing at silhouette) Barring any further interruptions, may I now direct your attention to ...


Reporter: (OS) Hey! He hasn’t moved!


Dr. Foster: What? I’m sorry ...


Reporter: (OS) He hasn't moved!


Dr. Foster: Who hasn't moved?


Reporter: (OS) The Florida Man silhouette, man! He’s supposed to be back there, right? Well, “he” hasn’t moved since you started talking!


Someone in Audience: (OS) We want to see him!


Someone Else in Audience: (OS) Show us!


Dr. Foster: Oh, very well. Fine. I was hoping to spare you good people ... but I suppose it can't be helped.


Violently removes scrim. We see ...


Reporter: Seriously, doc? A cardboard cutout?


Dr. Foster: You’re very perceptive, sir. And I am quite serious.


Mom: (OS) This is extremely disappointing, son. Tonight, you can make your own dinner.


Dr. Foster: Yes, I can, mother. And I will. But this is all mere preamble, hmm? Stagecraft, as it were. The time has come … for the genuine article! Now, behold good people ... the real Florida man!


He claps his hands twice.


An Actor walks up on stage. (Dialog will use actual actor's name.) He's badly made up to look like a redneck. Big putty nose. Fat suit. Trucker hat. Etc.


Reporter: (OS) That’s an actor!


Dr. Foster: No, it isn’t.


Reporter: (OS) Yes, it is! It’s Jeff Jones!*


Dr. Foster: So you claim.


Reporter: (OS) I recognize him, doc! We did improv together!


Dr. Foster: Really? And was his nose this hideously grotesque?


Taps Actor's nose with pointer.


Actor: Ow!


Reporter: (OS) C'mon doc! He’s wearing makeup! That’s putty or something!


Dr. Foster: For purposes of scientific demonstration only.


Reporter: (OS) This isn’t very scientific, doc.


Dr. Foster: Fine! (to Actor) Leave this stage at once! You’ve failed, sir! Failed!


Shoos Actor away with his pointer. Then turns to face the audience.


Dr. Foster: Well. Ladies and gentlemen, etc. I believe I now have some explaining to do.


Audience Member: You got that right, you lousy two-bit phony! Start explaining! Now!


Dr. Forster: Yes. Well, here it is! The simple explanation. Surprisingly simple! You’ll laugh when you hear it. Really. Well. To be perfectly honest ... ah … returning to the question of Florida Man. Ah ... In a nutshell … The thing of it is … From a rigorously scientific anthropological perspective. Empirically speaking … Well … I haven’t actually found him yet.


Audience erupts with boos and catcalls. (OS)


Dr. Foster: But I will find him. Oh, yes. I will! And when I do ...


Trevor appears, stage left. Huge smile on his face. A smile that says, “We found him.”


Dr. Foster: You “good people” can all kiss my bright, red, scientific arse!


Dr. Foster shoots double birds at the audience. Then runs off with Trevor.


Go to black.



Scene Three.


Interior, Trailer - Day.


The mother of all shitholes. The Japanese anti-clutter crusader would commit seppuku at the very sight.


Within this mound of unholy chaos, a redneck sits, his hairy back turned to the audience. Florida Man, obviously. He’s holding a massive, Dirty-Harry-style 44 Magnum and spinning the chamber.


Knock at trailer door. (OS)


Florida Man: You cops?


Skunk Ape: (OS) No.


Florida Man: I owe you money?


Skunk Ape: No.


Florida Man: Well entrez vous then, motherfucker.


Skunk Ape enters.


Florida Man: Wazzup, man. Tell me the good news.


Skunk Ape: They’re looking for you, buddy.


Florida Man: Yeah? (pause) Well, that ain’t news, “buddy.” And it ain’t good. (spins chamber of the 44 Magnum) Fuck.


*Or whatever his name is.


Tuesday, May 5, 2020

Blast from the Past: Led Zeppelin or Dead Zeppelin?


Led Zeppelin concert. Tampa. June 3, 1977.

I roll up with the Brothers Scarbrough in their VW microbus. Rock concert! Yay!

Woodstock it ain’t.

Tampa stadium, general seating. We make our way through the bowels of the stadium. After reaching the large intestine, we position ourselves in front of the stage for maximum hearing loss. There’s no rock yet, aside from the pre-recorded variety. But there is a crowd. And that crowd is pissed.

An ugly crowd, in every sense of the word. Meth-crazed bikers (or biker wannabes) and enraged phosphate workers, for the most part. With a few terrified women who'd rather be someplace else. 

The crowd seethes like an angry collective organism.

Crowd: “YAAGGGHHH BLAGGHGHGH!”

They wanna hear Led Zeppelin. Led Zeppelin ain’t here. The f**king concert promoters are making ‘em wait. F**k!

Crowd: “MWAAGGGHHH GLABAGGHGHGH!”

Screaming works no magic. The crowds adapts, and starts throwing rocks and bottles at the stage. When that fails to work, one asshole, taking a cue from "Smoke on the Water," fires a rocket at the drum set. Still no band. What are they doing wrong? 

The crowd howls like the Monster from the Id in "Forbidden Planet."

Crowd: “RAGGARGGGHHH KLAGGHGHGH!”

A bespectacled, soft-spoken British rock promoter tiptoes on stage and politely attempts to reason with the madding crowd. 

"Please. No rocks, bottles or flying missiles. Led Zeppelin will appear shortly." 

It’s like Piggy trying to convince the "Lord of the Flies" hooligans that the Beast doesn't exist. “Hullo! I can make a fire wit' me specs!” 

Piggy just pisses them off even more.

Crowd: “BWKAEMEMAGGGHARGH!”

“Led Zeppelin will be out momentarily. Please excuse the delay...”

The crowd-thing is now crackling with f**k-you hate.

"GREEAGRHHRH!"

Speaking of voltage, Mother Nature gets charged up, too.

A ring of black thunderclouds encircles the stadium and converges. A tightening sphincter in the sky. I feel like a log in Satan's toilet bowl. 

The stage is still completely Led Zeppelin-free.

“Hey,” says Jeff. “Look at the stage. What’s that look like?”

I study the stage. A hodgepodge of speakers and rigging set up in a metal superstructure. Towering above it all? Two cranes, probably meant for some special effects thing.

“Lightning rod?”

“Bingo,” says Jeff.

Led Zeppelin finally appears. The crowd makes a noise like 5,000 Tasmanian Devils having a simultaneous orgasm.

“BLEGHAHANGHJGHHHHGH!”

Led Zeppelin plays three songs, but doesn't put their heart into it. A drop of water hits my face ...

And then it starts to rain.

Hard rain. Like God’s firehose. And once it starts, it never stops. Lightning and thunder, too, just to add to the pyrotechnic effect.

It’s like the Man Upstairs is trying to disperse the ugly crowd. But the crowd-thing doesn’t want to disperse. They came to hear a f**king rock concert and didn't give a flying f**k about galvanic death by electrocution. I paid $10 for my f**king ticket, man! The least they can do is play until they die! But the band has more sense. 

To quote Jimmy Page: “Sod this! I'm not dying for these bloody redneck wankers.” 

Or words to that effect.

The band gets the hell out of there. So do we. Behind us, a riot erupts. Cops bust heads. 

My parents, back in Sarasota, watch it all on TV.

We make it home in one piece. 

I save my ticket stub, but never get a refund.

Led Zeppelin never returns.